Study Day programme 2021
Until we are able to run our Study Days in the Digby Hall, Sherborne we will provide them on Zoom.
Study Days conducted on Zoom will comprise two or three lectures on the same day
Once we can recommence Study Days in the Digby Hall they will revert to the format of three lectures, two in the morning with a coffee break between them followed by lunch with wine or soft drinks and a further lecture in the afternoon
The Lure of the Midi
Art of The South of France
Monica Bohm Duchen
Ever since the late C19th, seduced by its intense light and sensual colours, visual artists (most of them from the north) have been irresistibly drawn to the Mediterranean coast of France. Claude Monet painted in Antibes in 1888; while in the same year, van Gogh, dreaming of setting up a “Studio of the South”, persuaded Gauguin – with disastrous results – to join him in Arles. Cézanne’s roots, of course, lay in his beloved Midi, to which he returned for good in 1899. Meanwhile, in 1892, Paul Signac sailed into the unspoilt port of St.Tropez, settling there and attracting large numbers of younger artists to the area – among them, his Neo-Impressionist disciples and members of the future Fauve group. In the early 20th century, Renoir would make the Midi his home, as would Bonnard and Matisse. And after the Second World War, so too would Picasso and Chagall.
Pomp and Piety
This will include Jeanne d’Evreux, Jean, Duc de Berry, and will cover a variety of manuscript painting, ivory, stone and alabaster carving, goldsmiths’ work and enamelling – from the 12th, to the late 14th century
Painting in Britain 1850 – 1914
The study day of 3 lectures aims to give an account of the achievements and developments of painting in Britain from the Pre-Raphaelites to the First World War. It was a dynamic period with the Pre-Raphaelites, the square brush painters of Newlyn and Glasgow, the London Impressionists, the Camden Town School and Roger Fry’s explosive Post-Impressionist exhibitions in London in 1910-12. Some art historians see this period of British painting as backward looking and conventional. Hopefully this study day will change your views on this!