Lecture Programme 2027

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Wednesday 3 February 2027

The Perfect Partnership: Edwin Lutyens and Gertrude Jekyll

Wednesday 7 July 2027

Screening the Novel: Books into films

Wednesday 3 March 2027

Hokusai’s Great Wave: An Icon for Our Times.

Wednesday 1 September 2027

Thirty Years on from the Royal Academy’s ‘Sensation’ exhibition

Wednesday 7 April 2027

The Collections of Napoleon and Chateau Malmaison

Wednesday 6 October 2027

Insatiable Appetites: Eating Out in Georgian London

Wednesday 5 May 2027

Ancient Egyptian Paintings in the British Museum

Wednesday 3 November 2027

Is Salome the greatest Femme Fatale in Art History?

Wednesday 2 June 2027

Elisabeth Frink: the expressive power of bronze

Wednesday 1 December 2027

Journey of the Magi

The Perfect partnership

Edwin Lutyens and Gertrude Jekyll

Goddards, Country House from the west

 

Gertrude Jekyll: Some English Gardens

 

The collaboration between Edwin Lutyens and Gertrude Jekyll is often described as the perfect match, with Lutyens’ architectural prowess complementing Jekyll’s artistic vision. Lutyens was only 20 when he met Jekyll by chance at a tea party in 1889. She was 45 and already a celebrated artist. Their first project was Jekyll’s own home, Munstead Wood, where they experimented with design and planting. Their joint work on The Formal Garden at Hestercombe Gardens, Taunton, is considered a masterpiece of garden design, showcasing their combined talents in landscape architecture and plant selection. Edwin Lutyens and Gertrude Jekyll have inspired countless gardeners and architects, demonstrating the enduring value of their partnership in the world of design.

3 February 2027

Lecturer: Paul Atterbury

Paul Atterbury is a writer, lecturer, curator, historian and broadcaster with an eclectic and wide ranging interest in the art, architecture, design and history of the 19th and 20th centuries.Best known for his thirty years of appearances on the BBC’s Antiques Roadshow, Paul gives lectures and talks, and has helped to set up and run the Dorchester Literary Festival .By training, a graphic designer and art historian, he also sells paintings . Paul Atterbury is a patron of The Arts Society Sherborne

 

The Great Wave

An Icon of our Times

Katsushika Hokusai: Tsunami, 19c. Metropolitan Museum of Art

 

Mug

 

Trainers

 

Hokusai – Great-Wave-Copy

Created in 1831-32 as part of a series of ‘The Thirty-six Views of Mount Fuji’, this seemingly simple image had a turbulent beginning and a complex story; it is a masterpiece that has inspired hundreds of artists and copyists across the world into the
modern age.

3 March 2027

Lecturer: Suzanne Perrin

An independent researcher and historian specialising in Japanese History, Art & Culture, and founded Japan Interlink in 1995 to promote the understanding of Japan in the UK. Suzanne has lectured to a wide range of institutions including universities, museums and adult education groups in the UK and overseas. She taught Japanese History & Culture at Richmond American International University in London for over ten years, lectures for the Arts of Asia course at the Victoria & Albert Museum in London, for the British Museum and London Institute Universities, the University of Cape Town, and University of Brighton Art & Design School; has given lecture tours for DARTS in South Africa, ADFAS in Australia and for The Arts Societies in Europe (Spain, Germany, Malta, Belgium). Suzanne has organised exhibitions of Japanese arts and crafts including Kimono exhibitions for demonstration and display. Suzanne has published articles on Japanese culture and contemporary living for various magazines, and published her first book in 2016 titled: Bridges: Anglo-Japanese Cultural Pioneers 1945-2015.

She is working on her second book on Japanese crafts people in Kyoto, and visits Japan regularly to continue her research. She is now based in Sherborne, Dorset and is a member of the TASS committee.

 

Napoleon and Josephine

The Collections of Napoleon and Chateau Malmaison

 

Chateau de Malmaison – Josephine’s Appartment

 

Chateau de Malmaison at Rueil Malmaison

 

Malmaison- The Empress’s Bed Chamber

 

Rueil-Malmaison The Emperor’s Salon

 

Chateau Malmaison – Library

 

How was Napoleon such an excellent self-promoter? What was it that drove him? What on the other hand drove his wife? And what was it that made Napoleon and Josephine one of the most followed couples in history? These questions can be answered giving a true insight into their character by exploring the collections at the Chateau de Malmaison. The Estate, which was bought by the couple as their private retreat, away from the Pomp and Ceremony of the Official Residences, was made into a National Museum in 1905 amassing a huge collection of their possessions. Paintings, personal objects. complete room layouts, and some magnificent pieces of porcelain are just some of the things on display.

7 April 2027

Lecturer: Carole Petipher

Carole is an experienced guide and lecturer on combined history and art tours in France with 20 years experience. Having lived and worked on a number of river vessels and converted barges there she has used them as a platform from which to research her lectures. She uses art in all it`s guises to explore the characters who shaped France and likes to delve behind the scenes to discover hidden truths. She also acts as a guide for privately owned ancestral homes in her native Chilterns.

 

Ancient Egyptian paintings

in the British Museum

Nebamun Tomb Fresco with Dancers and Musicians

 

Fresco from Tomb of Nebamun (British Museum)

 

Nebamun was an Ancient Egyptian accountant working at Karnak Temple in Luxor in 1350 BC. He was granted the royal privilege of a rock-cut tomb with the most beautifully painted decoration. In 1820 eleven large fragments of painted plaster from this tomb were shipped to London, and put on display in the British Museum. In this lecture we will explore some of the most exquisite art to survive from Ancient Egypt – detailed scenes of daily life, steeped in fascinating symbolism. Lucia will explain the techniques of the ancient Egyptian artist, and help you understand the complexities of what appears at first glance to be a rather simple canon of art.

5 May 2027

Lecturer: Lucia Gahlin

Egyptologist who has worked in museums and on excavations in Egypt, but these days mostly lectures. Former Honorary Research Associate at University College London’s Institute of Archaeology, and Lecturer in Egyptology at several UK universities. Works at the Petrie Museum of Egyptian Archaeology in London. Leads tours to Egypt. Former Director of Bloomsbury Summer School at UCL, Chair of the Friends of the Petrie Museum, and Trustee of the Egypt Exploration Society. Publications include Egypt: gods, myths, religion .

 

Elisabeth Frink

The Expressive power of bronze

Elisabeth Frink: Head-Liverpool Cathedral

 

caption id=”attachment_23022″ align=”aligncenter” width=”600″] Frink: Yorkshire Sculpture Park: Running Men[/caption]

 

The War Horse

Walking Madonna

This lecture examines the work of one of the outstanding figures of 20th century sculpture, an artist who achieved an international reputation for her monumental works depicting the human figure, birds and other animals. Sadly she died in her early 60s but ,from the first small sculpture acquired by the Tate Gallery (when she was a student of 21)until her death, she produced an astonishing body of work. Her bronzes varied in scale and feeling, from small, threatening birds to the life – size, tranquil Walking Madonna in Salisbury Cathedral Close. Frink’s work will be examined in the context of great British and European predecessors such as Henry Moore, Auguste Rodin and Alberto Giacometti, as well as her contemporaries, including Reg Butler, Jean Fautrier and Germaine Richier 

2 June 2027

Lecturer: Frank Woodgate

Lecturer and Guide at Tate Britain and Tate Modern, for the Art Fund, the National Trust, U3A and other organisations, including on Zoom. Lectured for Dulwich Picture Gallery, Pallant House Gallery, Chichester and on cruises on behalf of Tate. Previously script-writer for The Living Paintings Trust (Art for the visually-impaired).

 

screening the novel

Books into Films

Gone with the Wind

Pride and Prejudice

 

David Copperfield

 

The Godfather 1971

 

How do you turn a huge sprawling novel like Gone with the Wind into a film to be seen in one evening? Why do some  novels make the transition so much better than others? Is there any difference between adaptation of Pride and Predudice and any of the others? From Dickens to Austen the classic novels constantly reappear as movies but this lecture moves from All Quiet on the Western Front in 1930 through the social realism of the post-war British novel to The Godfather in 1971.

7 July 2027

Lecturer: Colin Shindler

Colin Shindler has been lecturing on American and British social and cultural history for over 30 years. He was awarded his PhD at Cambridge University and subsequently lectured on film for their History Faculty between 1998 and 2019 exploring its relationship to modern British and American social and cultural history. He also teaches a variety of adult education courses at Madingley and Higham Hall in Cumbria and has lectured on cruises. Between 1975 and 1999 he pursued a wide – ranging career as a writer and producer in television, radio and film. He won a BAFTA award for his production of A Little Princess. His production of Young Charlie Chaplin was nominated for a US Prime Time Emmy. He wrote the screenplay for the feature film Buster and was the producer of various television dramas such as Lovejoy and Wish Me Luck . He has written three novels as well as numerous television scripts and radio plays but regards his greatest cultural contribution as choosing the title music for the police series Juliet Bravo. His most recent radio play to be broadcast on Radio 4 was Leni Goes to Hollywood, about the German film director Leni Riefenstahl. Other radio plays for R4 included How To Be An Internee (about P.G. Wodehouse) and one on Private Eye & The Profumo Affair (Rumours). He is the author of Barbed Wire and Cucumber Sandwiches: The Controversial South Africa Cricket Tour of 1970 which was short listed for the MCC/Wisden Cricket Book of the Year in 2021. He is best known for his childhood memoir Manchester United Ruined My Life which was short listed for the William Hill Sports Book of the Year Award. His other publications include Hollywood Goes To War: Films & American Society 1939 – 1952 and Hollywood in Crisis: Films & American Society1929- 1939. His next book is called Boom!: The Story of a Generation.

the Royal Academy ‘sensation’  exhibition

30 Years on

Damien Hurst: The Physical Impossibility of Death in the Mind of Someone Living

 

Ron Muerk: Mask II

 

Tracy Emin: My Bed

Sensation-Young British Artists from the Saatchi Collection

 

Sensation-Young British Artists from the Saatchi Collection

 

In 1997, the Royal Academy of Arts took the world by storm by curating an exhibition  of contemporary art. The very first of it’s kind and the Main Galleries of Burlington House were transformed for this landmark show, “Sensation”. Apart from launching the careers of many Young British Artists (the`YBAs`), the exhibition gathered much controversy.

1 September 2027

Lecturer: Pamela Campbell-Johnston

A Hons Art History, St Andrew’s University. Over thirty years of lecturing experience to undergraduates, adult groups, and to friends and Patrons of the Royal Academy of Arts as part of the RA’s Adult Education Department. Also conducted numerous guided tours, residential trips and focused gallery talks on individual works of art. Specialises in British Domestic Architecture and Modern British Art – with a particular love of the 1920’s and 1930’s. A permanent career at the Royal academy of Arts for 12 years. Work experience also undertaken at Bonhams, Art Loss Register and National Trust. Now a freelance art consultant and lecturer. Recently curated for the Lansdowne Club.

 

insatiable Appetites

Eating out in Georgian London

“Substitutes-for-bread-or-right-honorables-saving-the-loaves-and-dividing-the-fishes”

 

An obese doctor acknowledging the favours of a French chef in his kitchen; denoting their complicity, the chef’s food providing patients. Coloured etching by C. Williams, c. 1815. after: Charles Williams; Published: c. 1815

 

Temperance enjoying a Frugal Meal-Hannah Humphrey

 

Interior of a London Coffee House – 17th Century

 

Georgians of all classes dined out in pubs, coaching inns, French ordinaries and confectioners. They also ate all kinds of street food and had an almost insatiable appetite for buns. On a journey through London we will discover the early morning drinks consumed on the street before dawn, ‘nuncheons’ served at coaching inns, Billingsgate dinners, confectioner’s cakes, syllabubs and ices, the proverbially thin ham dished up to diners at Vauxhall Pleasure Gardens, as well as the Jewish takeaway foods of the East End and even London’s first ‘Indian’ restaurant.

Our journey will be illustrated from prints, paintings and broadsides of the period, some long neglected, as a source for a forgotten but fascinating part of our Georgian ancestors’ way of life.

6 October 2027

Lecturer: Peter Ross

Peter Ross has a BA in the History of Art, an MA in London History, and a PhD in the cultural history of the early eighteenth century criminal, Jack Sheppard. Until 2023, he was the Principal Librarian at the City of London’s Guildhall Library. He is also a Fellow of the Society of Antiquaries. Peter has appeared on television and radio as a consultant on crime in eighteenth century London, the history of English food, and Shakespeare’s First Folio.

Peter’s The Curious Cookbook, Viper Soup, Badger Ham, Stewed Sparrows, and a Hundred more Historic Recipes was published in 2012 by the British Library and subsequently published in the US, China and Taiwan. Peter is currently engaged in writing a book – Insatiable Appetites: Eating Out in Georgian London to  be published by Bodleian Library in May 2026.

off with his head!

 Is Salome the Greatest Femme Fatale in Art History?

Decapitation of Saint John the Baptist. Etching by F. Forster after Cesare da Sesto.

Salome with the Head of John the Baptist by Jacob _Cornelisz_van_Oostanen

 

Salome by Henri Regnault 1870

 

The Apparition by Gustave Moreau 1876-1877

 

Salome Dancing by Gustave Moreau

 

Salome is the quintessential femme fatale, or dangerous woman. The biblical figure and daughter of Herodias, seduced her step-father Herod with a salacious dance and in return he promised her the head of the prophet John the Baptist.  The depiction of Salome has always been a favourite subject throughout art history but during the 19th century a Salome ‘frenzy’ occurred, reaching its zenith between 1860 and 1910. During this time, over 1000 versions of the seductress were painted in Europe.  This talk will consider the reasons for this obsession. Did her popularity reflect the anxiety of men as women gradually moved towards emancipation? We will look at the most sensuous and scandalous depictions of this enchantress – this talk is not for the faint hearted!

3 November 2027

Lecturer: Stella Lyons

Stella Grace Lyons is a freelance Art History lecturer, speaker and writer accredited with The Arts Society. She has lectured across the UK, Ireland, Spain, Norway, Germany, Belgium, the Netherlands, Italy and Malaysia. Stella gained her BA in the History of Art with a 1st class in her dissertation from the University of Bristol and her MA in History of Art from the University of Warwick. She spent a year studying Renaissance art in Italy at the British Institute of Florence and three months studying Veneti an art in Venice. In addition, she attended drawing classes at the prestigious Charles H. Cecil studios in Florence, a private atelier that follows a curriculum based on the leading ateliers of nineteenth- century Paris.
Stella runs her own online lectures, Stella Talks, which frequently attract listeners from across five continents, from California to Singapore. Stella is a sought -after lecturer for art societies, travel companies, private members’ clubs in London —such as the RAC, The Hurlingham Club and The Travellers Club —as well as boutique cruise lines. Stella has also lectured for the University of South Wales. She has written about art for several publications, including The Arts Society Magazine, where her feature on Norwegian art was chosen for the cover. Her recent article for the publication explores the work of Swedish painter Anna Boberg. In 2024, she wrote the Introduction for David Griffiths: Portraits, a book about the renowned Welsh portrait painter and chaired an event about Welsh Art for the Penarth Literary Festival 2024. Additionally, she spent many years modelling for the acclaimed Wales -based artist, Harry Holland .

The journey of the magi

Origins, Myth and Reality – The True Story of the Three Kings

Journey of the Magi-Benozzo Gozzoli 1459

 

Benozzo Gozzoli- Corteo del Magi-1459

 

Benozzo Gozzoli-Corteo Del Mag – 1459

 

Stained Glass window Chartres Cathedral

 

The Journey of the Magi is one of the best loved stories associated with the birth of Christ and has been illustrated by artists as various as Sandro Botticelli, Hieronymous Bosch and Peter Paul Rubens. But how did this myth arise and what made it so appealing to artists over the centuries ? In this lecture Leslie Primo traces the story from its Eastern and pagan roots to its current Christian interpretation. He examines the changing iconography of the story and the inclusion of the black king, whose depiction presented such challenges to European artists. Finally, he examines the actual origins of the story and asks why we still cling to this picturesque legend rather than the biblical story in our Western society. The whole talk is illustrated with a variety of beautiful – and sometimes – surprising images, which range across the centuries.

1 December 2027

Lecturer: Leslie Primo

Art historian, Leslie Primo is an author and broadcaster, graduating from Birkbeck, University College, London with an MA in Renaissance studies. He specialises in early Medieval Art and Architecture, Italian Renaissance art, German art in the age of  Reformation, Medici & Patronage, and mythology in the work of Peter Paul Rubens. Leslie lectured at the National Gallery, London for 18 years, and has appeared on the BBC speaking in Renaissance: The Blood and the Beauty, and on the Life of Michelangelo, and also presented Turner: Light and Landscape. He was a contributor to the Oxford Companion Guide to Black British History, an art history consultant for the Getty publication, Balthazar: A Black African King in Medieval and Renaissance Art and was published by the Royal Academy Magazine for the Entangled Pasts exhibition, 2023-2024. Leslie’s book, ‘The Foreign Invention of British Art’ is published by Thames & Hudson in 2025 .